Death Becomes Her
Death Becomes Her | |
---|---|
Directed by | Robert Zemeckis |
Written by | |
Produced by |
|
Starring | |
Cinematography | Dean Cundey |
Edited by | Arthur Schmidt |
Music by | Alan Silvestri |
Distributed by | Universal Pictures[1] |
Release date |
|
Running time | 104 minutes[1] |
Country | United States[1] |
Language | English |
Budget | $55 million[2] |
Box office | $149 million[2] |
Death Becomes Her is a 1992 American satirical surrealistic[3] black comedy fantasy film directed and produced by Robert Zemeckis and written by David Koepp and Martin Donovan. The film stars Meryl Streep, Goldie Hawn, Bruce Willis, and Isabella Rossellini. Its plot follows two women fighting for the affections of the same man; they drink a magic potion that promises eternal youth, with surprising consequences. Filming began in December 1991 and concluded in April 1992; it was shot entirely in Los Angeles.
Death Becomes Her was released in the United States by Universal Pictures on July 31, 1992. The film received mixed reviews from critics. It was also a pioneer in the use of computer-generated effects and went on to win the Academy Award for Best Visual Effects.[4] The film is regarded as a cult classic and a highly treasured film within the queer community.[5]
Plot
[edit]In 1978, a narcissistic fading actress Madeline Ashton performs in a Broadway musical. She invites long-time frenemy, the meek aspiring writer Helen Sharp, backstage along with Helen's fiancé, famed plastic surgeon Ernest Menville. Smitten with Madeline, Ernest breaks off his engagement with Helen to marry Madeline. Seven years later, a lonely, obese, depressed, and destitute Helen is committed to a psychiatric hospital where she obsesses over taking revenge against Madeline.
Another seven years later, Madeline and Ernest live an opulent but miserable life in Beverly Hills: Madeline is depressed about her age and withering beauty and Ernest, now an alcoholic, has been reduced to working as a reconstructive mortician. After receiving an invitation to a party celebrating Helen's new book, Madeline rushes for beauty treatments. Desperate to look younger, Madeline is given the business card of Lisle Von Rhuman, a mysterious, wealthy socialite who specializes in rejuvenation.
Madeline and Ernest attend Helen's party and discover that Helen is now slim, glamorous and youthful despite being fifty years old. Jealous of Helen's appearance, Madeline observes as Helen tells Ernest that she blames Madeline for his career decline. Madeline later visits her young lover but discovers he is with a woman of his own age. Despondent, Madeline drives to Lisle's mansion. The youthful Lisle claims to be seventy-one years old and offers Madeline a potion that promises eternal life and youth. Madeline drinks the potion, which reverses her age, restoring her beauty, but Lisle warns her that she must disappear from the public eye after ten years, to avoid suspicion of her immortality, and treat her body well.
Meanwhile, Helen seduces Ernest and persuades him to kill Madeline. When Madeline returns home, she belittles Ernest, who snaps and pushes her down the stairs, breaking her neck. However, she inexplicably survives and Ernest takes Madeline to the hospital where the doctor's analysis shows she is clinically dead. Ernest considers her reanimation to be a miracle and uses his skills to repair her body at home. Helen arrives and, after overhearing her and Ernest discussing their murder plot, Madeline shoots Helen with a shotgun. The blast leaves a large hole in Helen's torso but she remains alive, revealing that she also has taken Lisle's potion. Helen and Madeline fight before apologizing and reconciling. Depressed at the situation, Ernest prepares to leave, but Helen and Madeline persuade him to repair their bodies first. Realizing they will need regular maintenance, they scheme to have Ernest drink the potion to ensure his permanent availability.
The pair knock out Ernest and bring him to Lisle, who offers him the potion in exchange for his surgical skills. Although tempted, Ernest rejects immortality, concerned about outliving anyone he cares about—forcing him to spend eternity with Madeline and Helen—and the physical consequences Madeline and Helen have already suffered. He flees with the potion but becomes trapped on the roof. Helen and Madeline implore Ernest to drink the potion to survive an impending fall but, realizing they only want him for selfish reasons, he throws the potion away. Ernest survives the fall after landing in Lisle's pool and escapes, leaving the pair in despair at the realization that they will have to depend on each other for companionship and maintenance, forever.
Thirty-seven years later, Madeline and Helen attend Ernest's funeral, where he is eulogized as having achieved true immortality by living an adventurous and fulfilling life and having many children and grandchildren. Now grotesque parodies of their former selves, with cracked, peeling paint and putty covering most of their grey and decrepit flesh, Helen and Madeline mock the eulogy and leave. Outside, Helen trips and falls down a flight of steps, dragging Madeline with her. Their bodies break apart, and Helen sardonically asks Madeline if she remembers where they parked their car.
Cast
[edit]- Meryl Streep as Madeline Ashton
- Goldie Hawn as Helen Sharp
- Bruce Willis as Dr. Ernest Menville
- Isabella Rossellini as Lisle von Rhuman
- Ian Ogilvy as Chagall
- Adam Storke as Dakota Williams
- Alaina Reed Hall as Psychologist
- Michelle Johnson as Anna Jones
- Mary Ellen Trainor as Vivian Adams
- Susan Kellermann as second ER doctor
- William Frankfather as Mr. Roy Franklin
- John Ingle as Eulogist
- Debra Jo Rupp as Patient
- Fabio as Lisle's bodyguard
- Sydney Pollack as ER doctor (uncredited)
Production
[edit]Casting
[edit]Before Bruce Willis was cast, Kevin Kline was the first choice to play Dr. Ernest Menville; however, he fell out of the project due to a pay dispute with the studio. Jeff Bridges and Nick Nolte were both considered before Willis was eventually cast.[1]
Filming
[edit]Principal photography for Death Becomes Her began on December 9, 1991, and wrapped up on April 7, 1992.[1] The film was shot entirely in Los Angeles and featured several locations frequently used in film and television, including the Greystone Mansion (Ernest's funeral home) and the Ebell of Los Angeles (Helen's book party).[6] The exterior of Madeline and Ernest's mansion is located at 1125 Oak Grove Avenue in San Marino, but the interior was a set built on a soundstage.[1] The ending scene where Helen and Madeline tumble down a set of stairs outside a chapel was filmed at Mount St. Mary's University in Brentwood.[7][8]
Visual effects
[edit]Death Becomes Her was a technologically complex film to make, and represented a major advancement in the use of CGI effects, under the direction of Industrial Light & Magic.[9][10] It was the first film where computer-generated skin texture was used, in the shot where Madeline resets her neck after her head is smashed with a shovel by Helen.[9] Creating the sequences where Madeline's head is dislocated and facing the wrong way around involved a combination of chroma key, an animatronic model created by Amalgamated Dynamics, and prosthetic make-up effects on Meryl Streep to create the look of a twisted neck.[11][12]
The digital advancements pioneered on Death Becomes Her would be incorporated into Industrial Light and Magic's next project, Jurassic Park, released by Universal only a year later. The two films also shared cinematographer Dean Cundey and production designer Rick Carter.[13]
The production had a fair number of mishaps. In the scene where Helen and Madeline are battling with shovels, Streep accidentally cut Goldie Hawn's face, leaving a faint scar. Streep admitted that she disliked working on a project that focused so heavily on special effects and vowed never to work on another film with heavy special effects again, saying:
My first, my last, my only. I think it's tedious. Whatever concentration you can apply to that kind of comedy is just shredded. You stand there like a piece of machinery—they should get machinery to do it. I loved how it turned out. But it's not fun to act to a lampstand. "Pretend this is Goldie, right here! Uh, no, I'm sorry, Bob, she went off the mark by five centimeters, and now her head won't match her neck!" It was like being at the dentist.[14]
Post-production
[edit]Multiple scenes that were filmed were omitted from the film's final cut.[15][1] Director Robert Zemeckis decided on cutting the scenes to accelerate the film's pacing and to eliminate extraneous jokes. Most dramatically, the original ending was entirely redone after test audiences reacted unfavourably to it.[16] That ending featured Ernest, after he has fled Lisle's party, meeting a bartender named Toni (Tracey Ullman) who helps him fake his death to evade Madeline and Helen. The two women encounter Ernest and the bartender 27 years later, living happily as a retired couple while Madeline and Helen give no sign that they are enjoying their eternal existence.[15] Zemeckis thought the ending was too happy and opted for the darker ending featured in the final cut.[15] Ullman was one of five actors with speaking roles in the film to be eliminated.[15] Other scenes that were eliminated included one in which Madeline talks to her agent (Jonathan Silverman) and one in which Ernest removes a frozen Madeline from the kitchen freezer he has stored her in.[15] Some of the scenes can be viewed in the original theatrical trailer.[17]
Release
[edit]Box office
[edit]Death Becomes Her was a box office success and opened at number one at the box office with $12,110,355, the same weekend as Buffy the Vampire Slayer and Bebe's Kids.[18][19] It went on to earn over $58.4 million domestically and $90.6 million internationally.[2] In Taipei, Death Becomes Her set a box-office record by earning $269,310 in two days, marking it the "biggest opening ever" for overseas distributor United International Pictures.[1]
Home media
[edit]The film's release on DVD was called "appallingly bad" due to the quality of its transfer, which has been said to suffer from excessive grain, blur, and muted colors.[20] A BBC review described it as "horrible" and "sloppy".[21] Many online DVD forum users speculated that the DVD transfer was taken from the Laserdisc edition of the film and called for a restorative release. Death Becomes Her was initially distributed in an open matte fullscreen (1.33:1) edition in the U.S. while a Widescreen version with its theatrical aspect ratio (1.85:1) was released worldwide. The latter version has also been mistakenly labelled anamorphic.[22] It was later released in North America on Blu-ray from Shout! Factory in 2016.[23][24]
Reception
[edit]Death Becomes Her received mixed reviews from critics, who praised its special effects and lead performances, but found it lacking depth and substance.[1][25][26][27] Review aggregator Rotten Tomatoes gives the film a rating of 55% based on reviews from 55 critics with the consensus: "Hawn and Streep are as fabulous as Death Becomes Her's innovative special effects; Zemeckis' satire, on the other hand, is as hollow as the world it mocks."[28] On Metacritic, the film has a weighted average score of 56 based on 24 critics, indicating "mixed or average reviews".[29] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[30]
The Chicago Tribune's Dave Kehr wrote, "Instantly grotesque, relentless misanthropic and spectacularly tasteless, 'Death Becomes Her' isn't a film designed to win the hearts of the mass moviegoing public. But it is diabolically inventive and very, very funny."[31][32] Todd McCarthy of Variety said, "While the fountain of youth theme has often come up in films, it has never been given anything like this treatment before."[33] People praised the film's "flashes of originality, brilliant special effects and terrific performances—Willis as a curdled Milquetoast and Hawn as a woman who is finally feeling her own power. Streep makes a fine untamed shrew, by turns shrill, whiny and cooing".[34] Willis was also singled out for his against type comedic performance.[35][34]
Negative reviews criticized the script and pacing, noting that its satire feels scattershot and that the plot is pushed aside for the special effects.[36][37] Gene Siskel and Roger Ebert both gave Death Becomes Her a 'thumbs down', commenting that while the film has great special effects, it lacks any real substance or character depth.[38] People said "screenwriters David Koepp and Martin Donovan would have done well to keep their skewed, scabrous vision in sharper focus and to display satire that rises to the level of a scene in which Rossellini is throwing a party for her myriad clients".[34] Owen Gleiberman of Entertainment Weekly said, "The trouble with Death Becomes Her isn't that its comic vision is too dark but that it has no shadings, no acerbic glee. Zemeckis gives nastiness such a hard sell he forgets to take any delight in it."[39]
Rita Kempley of The Washington Post gave an overall positive review in which she praised the script's "offbeat lines and unexpected laughs", but noted there is still an "underlying high-and-mighty moral tone, which might have come straight from the pen of Hawthorne -- a puritannical posture wholly deserving of Madeline's retort: 'Blah, blah, blah, blah.' Really, fellas, what's a little cucumber mask going to hurt?"[40]
In Newsweek, David Ansen wrote, "Oddly, the more fantastical and grotesque this comedy becomes, the more conventional it seems-and the less it has to say. Somewhere in the middle of the movie, the characters take a back seat to the pyrotechnics, reality is replaced by cliffhangers and Gothic claptrap, and the laughs start to dry up. Satire needs a social context, but the filmmakers have little to say about the culture that created these age-obsessed women. Still, even when 'Death Becomes Her' wanders off course, it remains worth rooting for."[41]
Accolades
[edit]
Award | Category | Recipient | Result |
---|---|---|---|
Academy Awards[42] | Best Visual Effects | Ken Ralston, Doug Chiang, Douglas Smythe, and Tom Woodruff Jr. | Won |
BAFTA Award[42] | Best Visual Effects | Michael Lantieri, Ken Ralston, Alec Gillis, Tom Woodruff Jr., Doug Chiang, and Douglas Smythe | Won |
Golden Globe Award[43] | Best Actress – Motion Picture Musical or Comedy | Meryl Streep | Nominated |
Legacy
[edit]Death Becomes Her has acquired a significant cult following, especially in the LGBT community.[44][45][46] In RogerEbert.com, Jessica Ritchey wrote, "Time has been kind to 'Death Becomes Her', and the mordantly funny eye it turns to Hollywood pretense and our cultural inability to forgive women for aging. With the virtual extinction of Hollywood's interest in women over thirty, it's a real pleasure to see a film centered on and held down by two actresses as strong as Streep and Hawn."[47] An article in Vanity Fair titled "The Gloriously Queer Afterlife of 'Death Becomes Her'" called the film a "gay cult classic" and "a touchstone of the queer community".[48] The movie is screened in bars during Pride Month, while the characters of Madeline and Helen are favorites of drag performers. In this vein, the movie inspired a Death Becomes Her-themed runway show on season 7 of RuPaul's Drag Race.[44] The winner of season 5, Jinkx Monsoon, has cited the movie as an inspiration to become a drag queen. Jinkx has participated in Death Becomes Her-themed photoshoots,[49] and in 2018 they played Madeline in a drag stage show parody called "Drag Becomes Her" alongside season 6 contestant BenDeLaCreme.[50] Tom Campbell, an executive producer of RuPaul's Drag Race, reflected on the appeal of the movie to gay audiences:
They're fighting for beauty. They're against the system. They're also villains, but we understand their complexity. We root for the undead divas because they're trying to win a game that's rigged against them, and—to borrow an apocryphal quote from Ginger Rogers—they sort of have to do it 'backwards and in high heels.'[48]
In May 2024, RuPaul's Drag Race's Trinity the Tuck and Jujubee released their single "'Til Death Becomes Us" alongside a music video, serving as an homage to the original film.[51][52]
Musical
[edit]A musical adaptation of Death Becomes Her was produced by Broadway In Chicago at the Cadillac Palace Theatre in Chicago from April 30 to June 2, 2024.[53] It was directed and choreographed by Christopher Gattelli with a book by Marco Pennette and music and lyrics by Julia Mattison and Noel Carey.[54] The cast featured Megan Hilty as Madeline, Jennifer Simard as Helen, Christopher Sieber as Ernest and Michelle Williams as Viola Van Horn, the character originally named Lisle von Rhuman.[55] In May 2024, the producers announced their plans to have the musical begin performances at Broadway's Lunt-Fontanne Theatre on October 23 of that year, with an official opening scheduled for November 21.[56]
See also
[edit]References
[edit]- ^ a b c d e f g h i "Death Becomes Her (1992)". AFI Catalog of Feature Films. Archived from the original on April 28, 2023. Retrieved September 11, 2020.
- ^ a b c "Death Becomes Her (1992)". Box Office Mojo. Archived from the original on July 7, 2019. Retrieved August 26, 2019.
- ^ Sawhill, Ray (September 19, 2018). ""Death Becomes Her," directed by Robert Zemeckis". Ray Sawhill. Retrieved August 26, 2024.
- ^ Weinraub, Bernard (March 30, 1993). "Oscar's night started at noon in Hollywood". The New York Times. p. 9. Archived from the original on April 29, 2023. Retrieved April 29, 2023 – via Newspapers.com.
- ^ Puchko, Kristy (August 3, 2017). "The Gloriously Queer Afterlife of Death Becomes Her". Vanity Fair. Retrieved August 26, 2024.
- ^ "The Ebell of Los Angeles - Filming". ebellla.org. Archived from the original on December 22, 2017. Retrieved December 20, 2017.
- ^ "Movies Filmed at Mount Saint Mary's University - Chalon Campus". moviemaps.org. Archived from the original on August 4, 2018. Retrieved December 20, 2017.
- ^ "Death Becomes Her". movie-locations.com. Archived from the original on May 22, 2023. Retrieved May 22, 2023.
- ^ a b "Death Becomes Her (Universal Pictures)". Industrial Light & Magic. Archived from the original on December 22, 2017. Retrieved December 19, 2017.
- ^ Blaise, Judd (August 21, 1992). "Special Effects, Acting Bring 'Death' to Life". Sun Sentinel. Archived from the original on December 22, 2017. Retrieved December 20, 2017.
- ^ Death Becomes Her (1992) Vintage Bonus Clip: Meryl's Mom & Special Effects (HD). June 23, 2016. Archived from the original on December 11, 2021. Retrieved December 20, 2017 – via YouTube.
- ^ Amalgamated Dynamics Inc. (July 25, 2015). DEATH BECOMES HER Recreating Meryl BTS Special Edition. Archived from the original on December 11, 2021. Retrieved December 20, 2017 – via YouTube.
- ^ Taylor, Drew (June 11, 2013). "5 Versions of 'Jurassic Park' You Never Saw". indiewire.com. Archived from the original on December 22, 2017. Retrieved December 20, 2017.
- ^ "Depth Becomes Her". Entertainment Weekly. March 24, 2000. Archived from the original on October 14, 2007. Retrieved January 25, 2007.
- ^ a b c d e Fox, David J. (August 9, 1992). "A look inside Hollywood and the movies.: THE VANISHING: 'Death Becomes Her' and the Lost Ullman Ending". Los Angeles Times. Archived from the original on March 6, 2016. Retrieved March 12, 2018.
- ^ O'Brien, Jon (July 31, 2017). "Death Become Her 25th Anniversary: 12 things you may not know about the classic comedy". Metro. UK. Archived from the original on March 12, 2018. Retrieved March 12, 2018.
- ^ Death Becomes Her (1992) Meryl Streep, Bruce Willis - Official Trailer (HD). April 11, 2016. Archived from the original on December 11, 2021. Retrieved March 12, 2018 – via YouTube.
- ^ Welkos, Robert W. (May 10, 1994). "Weekend Box Office 'Honors' Tops in a Lackluster Bunch". Los Angeles Times. Archived from the original on July 22, 2018. Retrieved December 28, 2010.
- ^ McNary, Dave (August 3, 1992). "Death Becomes Her' tops weekend box office". UPI. Retrieved May 22, 2023.
- ^ "Death Becomes Her DVD review". michaeldvd.com.au. Archived from the original on May 18, 2012. Retrieved November 13, 2012.
- ^ Haflidason, Almar (October 12, 2000). "Films - review - Death Becomes Her DVD". BBC. Archived from the original on September 25, 2015. Retrieved November 13, 2012.
- ^ "A stroll down the DVD memory lane". GuidoHenkel.com. July 8, 2012. Archived from the original on November 11, 2012. Retrieved November 13, 2012.
- ^ "Undead Comedy 'Death Becomes Her' Getting Blu-ray Release!". Bloody Disgusting. January 7, 2016. Archived from the original on May 20, 2023. Retrieved May 20, 2023.
- ^ Salmons, Tim (April 20, 2016). "Death Becomes Her: Collector's Edition". The Digital Bits. Archived from the original on May 22, 2023. Retrieved May 22, 2023.
- ^ Bentz, Adam (October 24, 2022). "Jessica Chastain Discussed A Death Becomes Her Remake With Anne Hathaway". Screen Rant. Retrieved October 7, 2024.
- ^ Friedman, Danielle (February 1, 2017). "Is Death Becomes Her the Anti-Aging Parable We Need?". The Cut. Retrieved October 7, 2024.
- ^ Sragow, Michael (October 1, 2015). "Death Becomes Her". The New Yorker. Retrieved October 27, 2024.
- ^ "Death Becomes Her (1992)". Rotten Tomatoes. Archived from the original on March 19, 2024. Retrieved March 15, 2023.
- ^ "Death Becomes Her Reviews". Metacritic. CBS Interactive. Archived from the original on March 12, 2023. Retrieved September 8, 2022.
- ^ "CinemaScore". cinemascore.com. Retrieved October 17, 2017.
- ^ Kehr, Dave (July 31, 1992). "'Death' Takes a Holiday". Chicago Tribune. Archived from the original on October 27, 2024. Retrieved October 27, 2024.
- ^ Thomson, Desson (July 31, 1992). "'Death Becomes Her'". The Washington Post. Retrieved October 27, 2024.
- ^ McCarthy, Todd (July 27, 1992). "Death Becomes Her". Variety. Retrieved October 27, 2024.
- ^ a b c "Picks and Pans Review: Death Becomes Her". People. Vol. 38, no. 6. August 10, 1992. Retrieved October 27, 2024.
- ^ Menell, Jeff (July 31, 1992). "'Death Becomes Her': THR's 1992 Review". The Hollywood Reporter. Retrieved October 27, 2024.
- ^ Maslin, Janet (July 31, 1992). "Review/Film; Squeezing the Humor Out of Death". The New York Times. Retrieved October 27, 2024.
- ^ Denby, David (August 10, 1992). "A Gruesome Death". New York. Retrieved October 27, 2024.
- ^ "Death Becomes Her review". Siskel & Ebert. Season 6. Episode 44. August 8, 1992. Archived from the original on May 22, 2023. Retrieved May 22, 2023.
- ^ Gleiberman, Owen (August 14, 1992). "Death Becomes Her". EW.com. Retrieved October 27, 2024.
- ^ Kempley, Rita (July 25, 1992). "'Death Becomes Her'". The Washington Post. Retrieved October 27, 2024.
- ^ Ansen, David (August 2, 1992). "Revenge Of The Living Dead". Newsweek. Retrieved October 27, 2024.
- ^ a b "Death Becomes Her Awards". Industrial Light & Magic. Archived from the original on November 2, 2020. Retrieved October 29, 2020.
- ^ "Death Becomes Her". goldenglobes.com. Archived from the original on March 12, 2023. Retrieved October 29, 2020.
- ^ a b Pugachevsky, Julia (June 21, 2013). ""Death Becomes Her" Is Ruling Our Lives: NewNowNext Style". newnownext.com. Archived from the original on June 12, 2018. Retrieved June 10, 2018.
- ^ Jackson, Matthew (March 21, 2023). "Remembering the unabashed zaniness of 'Death Becomes Her,' now streaming on Peacock". SYFY Official Site. Archived from the original on May 22, 2023. Retrieved May 22, 2023.
- ^ Panther, B. (August 1, 2022). "The Queer Immortality of Death Becomes Her". Paste Magazine. Retrieved October 27, 2024.
- ^ Ritchey, Jessica (May 3, 2016). "Chuck Jones Meets "Sunset Boulevard": On Robert Zemeckis' "Death Becomes Her"". RogerEbert.com. Archived from the original on May 22, 2023. Retrieved May 22, 2023.
- ^ a b Puchko, Kristy (August 3, 2017). "The Glorious Queer Afterlife of 'Death Becomes Her'". Vanity Fair. Archived from the original on September 24, 2020. Retrieved June 10, 2018.
- ^ Rudolph, Christopher (May 17, 2013). "Jinkx Monsoon and Ivy Winters Star in Ricky Middlesworth's 'Death Becomes Her' (PHOTOS)". HuffPost. Archived from the original on October 17, 2016. Retrieved June 10, 2018.
- ^ Rotter, Joshua (March 10, 2020). "Can drag queens beat death? Find out in 'Drag Becomes Her'". 48 hills. Archived from the original on May 22, 2023. Retrieved May 22, 2023.
- ^ "Trinity the Tuck and Jujubee Collaborate for a Sinful New Single, "Til Death Becomes Us"". Socialite Life. April 25, 2024. Retrieved June 1, 2024.
- ^ "Trinity the Tuck is your sinful pop goddess & her new EP is coming just in time for Pride". www.pride.com. April 30, 2024. Retrieved June 1, 2024.
- ^ Evans, Greg (September 5, 2023). "Death Becomes Her Stage Musical Sets Pre-Broadway Chicago Run For Spring 2024". Deadline Hollywood. Archived from the original on September 6, 2023. Retrieved September 6, 2023.
- ^ Scorziello, Sophia (September 5, 2023). "'Death Becomes Her' Musical Starring Megan Hilty and Jennifer Simard Coming To Chicago". Variety. Retrieved May 22, 2024.
- ^ Gans, Andrew (March 4, 2024). "Christopher Sieber, Michelle Williams, More Join Megan Hilty and Jennifer Simard in Death Becomes Her Musical". Playbill. Retrieved May 22, 2024.
- ^ Paulson, Michael (May 15, 2024). "'Death Becomes Her' Musical to Open on Broadway This Fall". The New York Times. ISSN 0362-4331. Retrieved May 22, 2024.
External links
[edit]- 1992 films
- 1990s American films
- 1990s English-language films
- 1990s fantasy comedy films
- 1990s satirical films
- 1992 black comedy films
- 1992 comedy horror films
- 1992 in American cinema
- American black comedy films
- American body horror films
- American comedy horror films
- American fantasy films
- American films about revenge
- American satirical films
- American zombie comedy films
- BAFTA winners (films)
- Cultural depictions of Andy Warhol
- Cultural depictions of Elvis Presley
- Cultural depictions of Marilyn Monroe
- Films about actors
- Films about death
- Films about immortality
- Films about narcissism
- Films about potions
- Films about secret societies
- Films directed by Robert Zemeckis
- Films scored by Alan Silvestri
- Films set in 1978
- Films set in 1985
- Films set in 1992
- Films set in 2029
- Films set in country houses
- Films set in Los Angeles
- Films shot in Los Angeles
- Films that won the Best Visual Effects Academy Award
- Films with screenplays by David Koepp
- Gothic horror films
- Surreal comedy films
- Surrealist films
- Universal Pictures films
- English-language fantasy comedy films
- Saturn Award–winning films